File Name: alfred hitchcock and the making of psycho stephen rebello .zip
Having been an armchair Hitchcock fan for a few years now, I was eager to read about his creative process to find out just how much he meant to put into making his films.
Download PDF Read online. Thirty years after its creation, Psycho ramains the yardstick by whicy all other thrillers are measured.
American Psycho. Links to movie scripts, screenplays, transcripts, and excerpts from classic movies to current flicks to future films. I am Guinevere Turner - writer, director and actor who has been working in film and TV since I first got into the game in with my film Go Fish. I've written and directed five short films, two of which showed at Sundance, some of which played on TV and around the world, and some of which were completely ignored.
Alfred Hitchcock and the Making of Psycho
Goodreads helps you keep track of books you want to read. Want to Read saving…. Want to Read Currently Reading Read. Other editions. Enlarge cover. Error rating book. Refresh and try again. Open Preview See a Problem? Details if other :. Thanks for telling us about the problem. Return to Book Page. Stephen Rebello's groundbreaking book offers the complete inside story on the making of Alfred Hitchcock's original Psycho, now seen as the forerunner of all modern horror thrillers.
Rebello takes us behind the scenes for every step in the creation of this cinematic masterpiece-from the story's original inspiration to the controversy surrounding the creation of the famous Stephen Rebello's groundbreaking book offers the complete inside story on the making of Alfred Hitchcock's original Psycho, now seen as the forerunner of all modern horror thrillers.
Rebello takes us behind the scenes for every step in the creation of this cinematic masterpiece-from the story's original inspiration to the controversy surrounding the creation of the famous shower scene. Drawing on new in-depth interviews as well as Hitchcock's private files, Alfred Hitchcock and the Making of Psych o is an eye-opening portrait of the artist at work. Get A Copy. Paperback , pages. Published December 15th by St.
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Rating details. More filters. Sort order. Start your review of Alfred Hitchcock and the Making of Psycho. Nov 27, lucky little cat rated it liked it.
It'd definitely have been a four-star read if I'd read it pre-internet, before so many behind-the-scenes details were posted. I'm sorry Mr. Rebello, life is unfair. Even so, the book has a few surprises left.
Who knew that Anthony Perkins gladly accepted the Norman Bates role because he wanted to shake that pesky teen-idol image. By May, , it still hadn't worked. Shelves: favorites , adult , tough-subjects , read , publication , non-fiction. After three decades, Alfred Hitchcock's Psycho still stands out as a masterpiece of suspense.
June 16 marks the anniversary of the movie's release and it's a good opportunity to dive into the impressive story behind the film.
I don't always have the patience to sit down and read an entire exhaustive biography, so I really enjoyed reading this fairly short, focused piece on one particular project.
The Crime Behind the Film Alfred Hitchcock and the Making of Psycho traces the origin of the story to the infamous body snatcher and murderer Ed Gein, upon whom the fictional novel by Robert Bloch was based.
It's interesting that the book's prologue delves right into the gruesome details of Gein's crimes, for although the facts of the case will not be news to anyone who has dipped a toe into his history, the ghastly details may be somewhat repugnant to the casual reader.
The Making of the Film The book quickly moves onto Hitchcock's deal-making, pre-production work, and casting, however. Hitchcock personally financed Psycho and deferred his usual director's fee in exchange for majority ownership of the negative, so he enjoyed a fair amount of autonomy with his choices. The author goes into great detail about the hiring and firing of screenwriters, crew members, and various other below-the-line negotiations that might be a little on the dry side for some readers.
I personally enjoy learning about budget details for these kinds of projects, however, so the author kept my attention with his meticulously researched facts and figures, many of which were uncovered in discussions with Hitchcock himself during a series of interviews shortly before the director's death.
It was particularly interesting to read about Hitch's relationship with Saul Bass , the graphic designer famous for his work on The Man with the Golden Gun, Vertigo, and West Side Story, and the man who designed Psycho 's simple but evocative title treatment. There has been much debate over the years over who actually was responsible for directing the infamous shower scene with Janet Leigh, and the author's interviews with cast and crew sheds some interesting light on Bass' storyboards for this scene and his role as sometime assistant director.
The Man Behind the Film Though this book is primarily a fairly objective documentation of how a film project came to be, the portrait it also sketches of the man behind the film is fascinating.
You expect a man with his talent and showmanship to be shrewd and exacting and stubborn and clear-sighted, but it is a pleasure to discover that Hitchcock also placed a huge amount of trust in many of his collaborators, that he seemed to delight in surprising those who caught his fancy, and was a skilled trouble-shooter who found ingenious technical solutions to the innovative shots he was undertaking.
It's easy to praise the film now with the benefit of modern perspective, but back then, Hitchcock really had to push to get this project made the way he wanted to.
This ranged from using voyeuristic camera angles, suggestive lack of clothing, and of course, shocking murder scenes that had viewers fainting in the aisles.
The film caused a sensation when it was released, and it's funny to hear that even then, directors had to include more violence than they intended to keep in order to play the ratings game with the MPAA. Hitchcock's influence on the filmmakers who followed him cannot be overstated, and it's intriguing to read the play-by-play details for one of his most well-known films. All in all, this was a very enjoyable read and is recommended for any Hitchcock fan or student of film history. The book has apparently already been optioned for a feature film.
I'd love to see a similar treatment someday for my personal Hitchcock favorite Marnie , as it would be great to gain some insight into what Hitchcock went through to get a film about a frigid kleptomaniac made. Right now, however, you'll have to excuse me while I go watch Psycho again.
Read an excerpt from the book: If you'd like a sneak peek at the book, the publishers have made an excerpt from the book available which describes the crime upon which Psycho was based. Warning: the content of the preview is not explicit, but it is also not for the faint of heart. An advance copy was provided by the publisher for this review. Jul 17, Oscar rated it it was amazing.
I am a big fan of Alfred Hitchcock and the film "Psycho. Honestly, I was aware of much of what was discussed in this book, but what made this book such a great reading experience for me was the fact that it brought together all the different aspects that went into the making of the film together in one place in a way that allows one to truly appreciate I am a big fan of Alfred Hitchcock and the film "Psycho.
Honestly, I was aware of much of what was discussed in this book, but what made this book such a great reading experience for me was the fact that it brought together all the different aspects that went into the making of the film together in one place in a way that allows one to truly appreciate the depth of the film and its creation. While I was reading this book, I was able to revisit certain aspects of the film in new ways and compare those aspects with other related factors that I had not considered before, which deepened my appreciation for a film that I have loved and analyzed so much over the years.
Oct 18, Ed rated it it was amazing Recommends it for: all Alfred Hitchcock fans. Sir Alfred's droll wit and dark sense of humor shine through the best. View all 6 comments. May 06, Emmett rated it it was amazing Shelves: film. It is appalling that, a self-regarded Psycho fan as I am, this book would have escaped my notice if not for the movie Hitchcock The movie which centres around the brilliant Mr and Mrs Hitchcock played by the equally brilliantly matched Anthony Hopkins and Helen Mirren is based on Rebello's very book.
And Scarlett Johansson did a wonderful job being Janet Leigh Rebello's book is less fiction and more documentation. It is a meticulous but very readable piece of journalism, following It is appalling that, a self-regarded Psycho fan as I am, this book would have escaped my notice if not for the movie Hitchcock It is a meticulous but very readable piece of journalism, following the director closely through all the stages of the making of this iconic film from the beginning to the end, almost like a camera in a documentary.
There is a great deal for ardent fans to be delighted over: firsthand interviews with the crew, producers, director and individual stars, various film reviews, insightful opinions, the entirely of the process from inception to aftermath laid out in chapters. Reading this is as close to the possibility of reliving the making process as one will ever be able to get.
The author's good sense of organisation brings everything together without the constant quotation becoming too dull. Rather, it's in these sentences bounded by quotation marks that one gets the strongest sense of the individual stories behind the film - whether it be Janet Leigh's, Anthony Perkins's or Saul Bass's, or anyone else involved in that arduous process.
Detailing even the most minor of considerations makes one aware of how much painstaking work, effort and care went into even something as innocuous as the credit sequence: 'The production team for the Psycho credit sequence settled on a configuration of over thirty parallel bars for each field. We worked on a large white-painted plywood board with push-pins to guide the bars.
The bars had to follow a straight line and couldn't wriggle. Paul [Stolerodd] and I [Harold Adler] manually pushed in each bar at predetermined distances for each exposure. The bars came in at different positions and speeds. Each bar was precisely timed by numbers of frames per second, called 'counts. Once a bar had gone across the screen, it was tied down.
There were lots of retakes because they'd come in crooked or something. It all goes to show how much thought and care went into every scene, and that unfortunately not all of this can be appreciated solely on the side of the screen that faces the audience. Reading about Hitchcock agonising over the technical difficulties of the opening sequence over Phoenix, his pedantry for getting everything right to the point of obsession, amusing and annoying his stars and co-workers and the strange aura that surrounded him and his circle, is a remarkable, humbling encounter with a remarkable director.
A director who cared too much but was never comfortable with the fickle public and press to ever reveal that other than in deadpan statements or airy pronouncements. A personality and brand crafted for mass consumption which hid a very real person indeed. The work was not always smooth, he did not always know what to do, but there was devotion, and the unprecedented impact Psycho would have transformed the trajectory of his career significantly but also, as Rebello conjectures, made surpassing himself and outsmarting his audience more demanding and tricky.
Rebello crafts an intrusive look, as looks are, to satiate curiosity, but it is also respectful.
Storyboarding pp Cite as. Alfred Hitchcock in many ways presents a comparable case to that of William Cameron Menzies. Several of the designers who subsequently achieved success with Hitchcock, such as Dorothea Holt, learned much of their craft under the tutelage of Menzies. Each man is at the centre of one of the major controversies that has helped to bring the role of storyboarding into critical prominence: Menzies as purportedly the creator of a complete set of storyboards for Gone with the Wind , and Hitchcock for the still-complex debate about the storyboarding of the shower scene in Psycho Unable to display preview.
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The_Art_of_Work__A_Proven_Path_to_Discover_-_Jeff_chezchevaux.org The Art of Work: A Proven Path to Discovering What You Were.
It details the creation of director Alfred Hitchcock 's thriller Psycho. The American biographical drama film directed by Sacha Gervasi , based on this non-fiction book is titled Hitchcock. The film was released on November 23,
Du kanske gillar. Stephen Rebello E-bok. Translations Brian Friel E-bok.
Мы должны немедленно вырубить электроснабжение. Немедленно.
Возможно, - сказал Стратмор, потом нацарапал несколько слов на бумажке и протянул ее Сьюзан. - Взгляни-ка на. Прочитав написанное, Сьюзан поняла ход мысли коммандера. На бумажке был электронный адрес Северной Дакоты.
- Что ты думаешь об этом не поддающемся взлому алгоритме, который, по словам Танкадо, он хотел создать. У Сьюзан свело желудок. Она подняла голову.
В том, что вы просто так отдали ей кольцо. - Нет. Я сказала, что нашла его в парке.